For some reason, Arya seems like he’s interpreted the character as an emotionally stunted person-which ends up coming through as apathy in performance. It’s Vetriselvan and team killing for the country so, we are supposed to try and enjoy the rush of patriotism coursing through our veins. Who are they killing? Is the killing justified? We are not supposed to ask such questions. Arya plays army man Vetriselvan, who’s introduced through a series of coordinated killing. The problem is a more familiar demon: silly, superficial writing.Īnd the performances don’t help either. So, while the minotaur creature in this film doesn’t ever feel real-never walking, jumping, fighting, or reacting in a way that convinces you of its life-that’s not quite the problem with Captain. Of course, with world cinema accessible at the click of a button, we don’t tolerate substandard CG anymore-and no, budgetary constraints ought not to be a topic really because theatres don’t exactly charge lesser for such films and neither do they offer snacks at subsidised prices because we have bought tickets for local, low-budget cinema. ![]() Oh, come on, we don’t have the budget at least, this is an attempt! What such responders don’t understand is that it’s not the bad CG that kills a film like Captain. You know what they’ll tell you when you express dislike for a film like Captain that follows in director Shakti Soundar Rajan’s long list of attempts to regionalise Hollywood genre films (space, zombie, teddy, and now, creature feature).
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